DIRECTOR: Burt Reynolds. CAST:
Burt Reynolds, Jack Weston, Lauren Hutton, Jerry Reed, Alice Ghostley, Dub
Taylor, Mike Douglas, Burton Gilliam, William Engesser, John Steadman,
Stephanie Burchfield, Dudley Remus, Alex Hawkins, Don Ferguson.
Burt
Reynolds makes his directorial debut with this sequel to 1973’s WHITE LIGHTNING,
which means that Bobby “Gator” McKluskey is back! This time, a federal agent
has roped Gator into going undercover by threatening to imprison his elderly
father and turn his daughter over to foster care. Gator is to help take down a good
ol’ boy mob boss who has his greedy paws in everything from extortion to drugs,
underage sex trafficking, and corruption on all levels. He also meets the
potential woman of his dreams along the way, but that is a given when Burt is
involved. GATOR benefits from a bigger budget than its predecessor; the rather
nice camera work and set designs do a decent job at almost distracting the
viewer from it being a rather uneven story. Lauren Hutton’s involvement is
mostly inconsequential filler while Alice Ghostley’s comic-relief role seems
random and out of place. Burton Gilliam is interesting as a perversely sleazy,
always-smiling creep of a gangster. However, Jerry Reed pretty much steals the
show as evil small-town mob boss Bama McCall from the moment he first steps
onto the screen. He digs deep into his role and plays it with gusto, enjoying
every slimy second that he has onscreen. Hard to believe that he wasn’t an
experienced actor. GATOR isn’t bad, it just has a hard time with what it wants
to do with certain characters and deciding what kind of movie it wants to be—a slicker
version of WHITE LIGHTNING or a goofy, lighthearted action comedy like the
following year’s SMOKEY & THE BANDIT.
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